People eat, pray, and love, on their smartphones. In the era of information explosion and emotional anxiety, how can we create a new method of storytelling to deliver the most sensible reality? Is there a possibility for SOUND, as a medium, to tell a story without visuals generated by cameras? In THE THIRTEENTH NIGHT, the story reveals itself through private phone calls, the auditory senses of the audience synchronize with visuals in the style of Ryoki Ikeda, creating a flow of changing frequencies. In the suspenseful narrative, according to the characters’ arcs and story beats, we use the montage of auditory points to create an immersive experience for the audience. When a phone call, a signal, a frequency, or a supernatural sound breaks into our lives, the secrets of human nature start to unravel.